Dominique Fawn Hill is a costume designer/fabric-composer
that merges an everlasting dance between
​Faith, Texture, Image, and Purpose. 
Her hometown Bronx, NY, instilled in her glam, grit, and the willingness to always
look at the world through an empathetic lens.
             She finds the psychological nature of costume design invigorating and sublime.
It is her belief, that in order to truly understand design; one has to understand the nature of the imperfect human condition.
We all wish to be understood
to gracefully-belong
&
to ultimately leave our footprints on this earth.

She is a Bi-Coastal costume designer that frequently works between the West Coast, and New York.
 In conjunction with designing across the country, Dominique is an adjunct lecturer at The University of California, Berkeley.
                         Dominique holds a MFA in Design from The University of California, San Diego. 

Recognitions & Reviews
In 2023 she was nominated for a Tony Award for Best Costume Design of a Play for the production of Fat Ham

In 2023 she won an Obie Award for Best Design for the production of Fat Ham

In 2022 she was nominated for a Lucille Lortel Award for Best Costume Design for the production of Tambo & Bones

     In 2020 she was nominated for Best Costume Design by the AUDELCO company for the production of Stew

 In 2019 she was awarded the USITT/USA Prague Quadrennial Exhibit Award for Best Costume Design for the production of Venus
Design Reviews
Vernae is phenomenal as Clyde – dishing out senseless cruelty while looking fabulous in Dominique Fawn Hill’s spectacular costumes.-Micheal Davis
-Clydes
-Broadway World

Dominique Fawn Hill’s costume design adds another layer of character development: Rabby’s loud Barney-purple ensemble, with its flouncy hat, for the church-loving gossip queen; Juicy’s gloomy all-black ensemble of overalls and a mesh shirt; Tio’s “Goosebumps” T-shirt and coral zebra-print button-down with acid-washed embroidered jeans; and one resplendent explosion of colorful fabrics and accessories that will catch audiences off-guard, in the best way, at the end of the show. -Maya Phillips 
-Fat Ham
-The New York Times

 
                                           He is aided by excellent design, Dominique Fawn Hill's telling costumes (and one eye-popping transformation at the end that takes your breath away). -Raven Snook
-Fat Ham
-Time Out Magazine

 
Dominique Fawn Hill’s costumes accentuate the assertive individuality of several of the characters and, by inference, how their life choices and divergent paths have led to their growing apart. -Peter Marks 
-Grace
-The Washington Post


The cast (costumed ingeniously with a nod to history by Dominque Fawn Hill) is superb.- John Stoltenberg
-White Noise
-DC Theater Arts



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